I am really pleased to find out this document that I , in vain, searched In Rabat, when I visited the wonderful Morocco in 1998. It is true that I didn't know how to search for it, which should have been through those who are interested in what our poet M. Darwish once referred to as the ''hidden beauty''. Huwwa Sahih came in a social and political context in the Arab World that participated in making this song a masterpiece. Artistically speaking, the improvisations of Omm Kolthoum on Nazra wi kunt showed the Diva's full mastery of her art. Not only did she (kolthomize) –the term is a Hefnawi's neologism-the original composition, but she also fully participated in it.